About me: Yelena Shabrova, an artist and web designer who lives and works in Silicon Valley, Ca. See more of my art at shabrova.com or visit duskowl.com for everything that has to do with graphic design and web development.
Most of this one was done with an artificial light, and today I was going to put finishing touches on it while we were at the Pescadero Beach. But the sunlight showed me that more than just that was needed. Good thing that the weather was very warm and without strong winds, or the miniature would travel back home to be finished there. I must say though that colored pencils start to lay on the canvas in a funny way as humidity goes up. I think if I was working with water soluble ones, I would end up with a painting without adding water.
This arrived in my feedreader after the show was over, but what a great review. That the first image in the article is of Iggy Pop is an icing on the cake.
Robert Mapplethorpe – Iggy Pop, 1981 Gelatin-silver print 14″ x 17 5/8″
Commemorating PAL’s 90th anniversary, the exhibition “Ode to California” is about the historic transformation of the state, its people, place and culture.
Pacific Art League is located at 668 Ramona Street, Palo Alto, CA 94301-2545.
The exhibit is open July 1 – 28, 2011.
You are invited to the reception which is on July 1, 5:30 pm – 8 pm.
Russian Ridge View – colored pencil on colored paper, 9″ x 6″
Summer Day in Santa Cruz Mountains – colored pencil on watercolor paper, 14.5″ x 10.5″
It’s been a while since I visited the Triton Museum of Art, and yesterday we went there just because, not to see anything in particular. Was I ever glad we stopped by!
Mirang Wonne is having a very impressive exhibition there – large pieces of stainless steel mesh into which flowers, trees, and oceanic plants are burned with a blow-torch. Some are hanging from the ceiling, some are placed on the walls overlaying acrylic paintings like a dream veil.
Mirang’s work is not something that translates well into photography, and this may explain why I glazed over her page on the Triton’s web site. You need to walk past or around her creations to see how the mesh shimmers, how hanging layers overlap as you go around them and create new and ever more exciting patterns of torched lines.
There is even a small piece of torched mesh on the staff’s counter that you can touch and see for yourself how different the feel is from the look. Gentle and dream-like turns out to be cold and unmistakably metal.
Capturing Sunlight 7386 – torched (burnt) stainless steel mesh with acrylic painting on paper underneath, framed, 55″x 42″