It’s doable! And I like the effect that the rough support gives to the drawing. It reminds me of heavy cold pressed watercolor paper. Just like with that paper, canvas is lead hungry. It gobbles up serious amounts of colored pencil in no time at all, and I had to sharpen pencils more often than with most types of paper. On a positive side, a canvas leaves more room for mixing colors. A few things that I didn’t like I was able to scratch off with a fingernail and cover with new layers. No ill effects of doing so; the canvas does not seem to wear out at all.

I still need to get a better grasp of the whole thing, but when i am through this pack of canvases I think I will move to a bigger size. My first ides that never came to fruition was to wrap cold pressed watercolor paper around the stretcher. I even bought the small stretcher, and that was it. Wetting the paper, stretching it, drying it, seeing if drawing on that was plausible, and dealing with a possible fail was too much trouble. I wonder why I didn’t think of the canvas back then.

Speaking of the packs: not a single one in the store had 5 more or less rectangular canvases. A common case was 2-3 arbitrary quadrangles per pack that just look bad, so ordering online is not an option. I do want to continue with these tiny drawings.

4″ x 6″, ink

This is a quick study for a horse head that will be done in pastel pencil. I like the shape of the head in the reference photo, but it lacks contrast terribly. And the horse is milky-gray which does not help The sketch is my attempt to place the darks where I believe they should be.

Another artist whose work caught my attention was Don Dahlke – a series of open windows with fretted tropical tree shadows. His paintings have a convincing three-dimensional quality, to the point that I wanted to look inside the windows and see what’s hiding there. And then there were shadows that looked like they were about to move in a gentle breeze. Very nice effect:

In the front window, there were several really tiny canvases on miniature black wooden easels. They were maybe 3″ x 5″; I don’t remember the name of the artist. Those canvases got me thinking: would it be possible to draw on a primed canvas with colored pencils? If the canvas is small, it probably would not sag under the pressure… Need to try that.

Leslie Hawes – Carrickfergus, 4.5 x 6.5, Derwent Artists colored pencils on dark taupe colored Alphamat

6″ x 4″, graphite pencil

4″ x 6″, colored pencil.

This is a rendering of one of my bokeh photos. I think colored pencils lend themselves nicely to this job.

Fortitude is a part of the 2010 From the Heart show at the Main Street Cafe and Books in Los Altos from February 1 till February 28.

The show features wonderful works of 36 members of the Fine Arts League of Cupertino.

Main Street Cafe and Books is located at 134 Main St., Los Altos, CA 94022 and is open Mon-Sat. 6:30 a.m. – 5:00 p.m., Sun. 7:00 a.m. – 2:30 p.m.:

4″ x 6′, pen and ink

The rest of the gallery was just as much pleasure to see as the featured exhibit: Terri Ford’s glowing pastels, Jean Prophet’s pottery, Berni Jahnke’s watercolors (she had portraits of old people on display, and shared their stories with me and Slava), Diana Jaye’s colorful oils, Kathleen Alexander’s graceful flowers and exotic fruit (at least I think that green thing was a fruit, I loved it more than flowers, and it looked great in watercolor), and so much more. It seems that every time we visit this gallery it becomes better and better.

We stopped at Gallery 9 too, since it is located on the next street. Nice to see what Belinda Lima and Rajani Balaram have there, and I don’t remember if I saw Kiyoco Michot’s ceramics before but those bowls that resemble fruit split in half are very beautiful.

To add to the pleasure of taking in art, it was pouring outside. Such a wonderfully quiet, rainy day!

6″ x 4″, pastel pencil