The show was going to be held in Myrtle Beach, SC but is now in limbo due to the COVID-19 outbreak. I do hope that there still be an option to buy the cards online like in previous years, no matter what the fate of the live show. Then we still do good and all is as well as it can be.
Every volunteer who helped with the show is very much appreciated, as are many artists who sent in their little creations.
These two new artworks were delivered yesterday to the 6 x 6 x 6 art show at the Alberta Street Gallery. Artists were free to create whatever they wanted as long as their art fit within 6″ x 6″ x 6″, and my choice was to do something related to spring that was all around me already.
I’ve spent more time experimenting with background collages than actually drawing and had to stop experiments at some point while I still had time to finish the pieces. It was fun, and I now have notes to continue playing with new ideas as time permits.
The Alberta Street Gallery is located at 1829 NE Alberta Street, Portland, OR (directions)
The show is open March 1-22, 2020, Monday – Friday 11 am – 7 pm, Saturdays 9 am – 9 pm, Sundays 9 am – 5 pm.
If you can, stop by for the opening reception on March 1st.
Dropped my new drawing, “Ravishing,” at the Oregon Society of Artists today. It will be a part of the annual “200 for Under $200″ art show. 125 participating artists from the Portland area and beyond, over 200 12″ x 12” canvases and cradled boards priced at or below $200. The opening reception is on November 1st, 6-9 pm. Come if you can!
The show is open from November 1st to December 5th, 2019, Monday – Saturday, 1 – 4 pm.
My insect themed garden sculpture collection is gradually expanding for no good reason. I do not collect this kind of art and not in love with insects beyond appreciating them in general. Still, two years ago a metal dragonfly by Doug Moore practically inserted itself into my hand, then my neighbor gifted me with a ladybug kindness stone, and this weekend the odd collection expanded with a praying mantis by Ian Beyer that I got at the Corvallis Fall Festival.
The weather seems to always challenge artists at this event,
but this year it took the cake with heavy rains and even hail. As I walked
through the show, part of me really enjoyed the art, but another part kept whispering
“thank goodness I am not doing outdoor shows anymore.”
I do so appreciate every artist who does this, both those I know personally, saw before, or met for the first time ever. You are all amazing, resilient, and very motivated people.
Beaverton Arts Mix! will be held October 3-6, 2019 in the Beaverton City Library (12375 SW 5th Street, Beaverton) (map) .
BAM! artists will be honored at an artist reception on Thursday, October 3.
A free Quick Draw event on Saturday, October 5 will be open to artists (BAM! and non-BAM!) of all disciplines and media.
Hope to see you there!
Updated on September 7, 2019
The artist reception will be on Thursday, October 3, 7 pm – 8:30 pm.
I will also be volunteering that day 1:30 pm – 7 pm. Stop by whenever your schedule permits, it’s going to be a good show.
Updated on September 25, 2019
Dropped my “Fortitude” along with matted prints and greeting cards for the Beaverton Arts Mix! yesterday. It was so well organized that I was in and out in no time. Much appreciation goes to organizers and volunteers!
Updated on October 6, 2019
Picked up my remaining items from the Beaverton Art Mix! show today. I was on the fence about bringing so many of my horse drawings, not knowing how well they would be received there, but to my surprise most of them have been sold. Thank you, horse-loving people! Thank you everyone who came to see the show, to the Beaverton Arts Program people who organized the show so well, to all the volunteers who helped them! I would love to be a part of it next year.
The show features emerging and established artists in Salem and neighboring communities within a 75-mileradius of Salem. It coincides with the Salem Art Association’s Centennial Year and the annual Salem Art Fair & Festival, so there is a lot to see for you.
I was enjoying this art show for a couple of years as a visitor and am now thrilled to be a part of it!
Salem Salon “100” runs from July 5 till August 24, 2019. Reception is on July 5, 5:30 – 7:30 pm. I hope to see some of you there!
The Bush Barn Art Center is located at 600 Mission St. SE Salem, OR 97302 and is open Tuesday – Friday, from 10:00 am till 5:00 pm, and Saturday – Sunday from 12:00 till 5:00 pm.
This is my first experience with Polychromos, and I probably would not splurge on them if lovely people from the Campbell Artists’ Guild haven’t sent me a very generous Blick gift card for looking after their website. It’s too early to see where these pencils stand in comparison to other brands I’ve tried.
Updated June 24th, 2019
Current state of things with the rose.
I like working with Polychromos so far except for one thing. There are tiny particles in some leads that make scratching sounds and make it feel like paper is being actually scratched. There are no scratches though, I’ve checked for that. I know it’s not the paper because I drew on this Canson Bristol before without this effect. So far it’s been more of an annoyance than anything else, and it’s not ok for $4+ pencils do that.
The rose is still unnamed. I thought I would come up with a title by now, but no. Not even anything to use as a starter.
Local artists and their guests will show awesome and diverse art in 6 studios in and around Damascus. You can find the map of the entire tour with all details here: https://damascusopenstudios.com/studio-map/. This is a wonderful opportunity to see how art is being created and talk to the artists.
Talented clay artist Brenda Scott will host me and a fine jewelry designer, Cheri Bosserman, at the studio #6 (25251 SE Bohna Park Rd, Damascus, OR 97089).
Stop by to see my original drawings, giclee prints, and greeting cards!
Updated May 20, 2019
A big thank you to to everyone who came to see my art and beautiful creations of my fellow artists Brenda Scott and Cheri Bosserman this past weekend. The Damascus Open Studios were great. Wonderful company, lots of good talks, and many sales. Could not ask for more!
Got notified that my card for Twitter Art Exhibit 2019 safely arrived at Edinburgh, UK. Phew! I was so unbelievably late this year that I was not even sure it would make it in time for the opening night on May 11.
For my artist friends who would like to participate next year, here is the TAE website: http://twitterartexhibit.org. This year they support an Edinburgh based charity, Art in Healthcare, that organizes workshop programs for patients.
Delivered my latest drawing to the Sequoia Gallery today. It is for the HIP 2B Square show that benefits this nice and cozy cooperative gallery and its artist studios. The show opens on April 2nd with a reception and award announcements and runs through May 3.
Sequoia Gallery is located at 136 SE 3rd Avenue, Hillsboro, OR 97123. Hours: Tuesday – Saturday from 10 am – 5 pm.
The gallery provided an option of a 12″ x 12″ Blick canvas or primed and cradled wood panel, and I chose the panel.
After the fiasco with an Ampersand panel it was interesting to try something different. To my delight, the texture of the gessoed wooden surface was strong but pretty even and was almost as easy to work with as good textured paper. I will do more with it, just maybe without cradles. Not a big fan of working edges of those things.
One of my very favorite things to draw after horses are dead trees in different stages of returning back to elements. This one still holds up pretty well, a final testament to how high and wide it managed to reach in its lifetime.
“Changing Colors” is going to the silent auction at the Oregon City Chamber of Commerce annual celebration night on February 23 at the Pioneer Community Center. The auction is going to help support the Chamber. OCCC is very supportive of arts in the local community, of TRAG where I am a member, and of events that TRAG organizes. It’s a pleasure to help them a little too.
Two of my drawings, Newborn and Sun Kissed, have been accepted into the first quarter of this new year-long, daily series showcasing artworks via social media to inspire the community to take a moment to reflect and appreciate art and artists. I love the idea and am pretty happy to be a part of this program.
One artwork will be posted per day and artists will be credited using the artist’s name, title of work, year created and mediums. All posts will carry the #YourArtMoment hashtag. Watch for it for your daily moment of local art!
Updated on March 12, 2019
And here is the first of selected images shown by the City of Beaverton on Instagram:
The biggest problem with pencils is that you can never use all of them. There are always leftover stubs that become too small for your hand and must be thrown out. It may be not a big deal with graphite, but what about colored pencils that can be quite expensive?
Finished this during last weekend’s Holiday Art Show. It’s my first experience with the Strathmore gray toned paper, and because art shows tend to be busy, I chose a subject that allowed me to work in short spurts without losing focus. Loved small darker fibers in the paper, they add to the look of the finished sketch.
Before the light ~ black Faber-Castell PITT and white Gelli Roll pens on Strathmore toned gray paper, 6″ x 4″ [SOLD]
This is take two. Take one happened two weeks ago and went so wrong that the piece could not be saved. I started with darker colors thinking I would lighten distant ridges later. But apparently at a certain number of layers pigment clings to the surface for dear life and refuses to be lifted with any kind of eraser. So I am going with a much lighter hand now, and it seems to be better that way. The surface is not as smooth as it looks. I am glad it’s mountains and not some young face.
Updated: May 17, 2018
I am working on this between other things, but here is what I’ve learned so far. Darks are more work on a gesso board than on paper. Even canvas is more agreeable. It’s not that the board doesn’t accept dark pigments. It does, but the wavy texture lines on it that go vaguely vertical keep some narrow areas persistently lighter than the rest and require ongoing touchups. But I like the sturdiness of a gesso board very much. I am starting to wonder if maybe graphite or charcoal would be easier, but that’s for the next test or two. Also need to look up other brands in case some have a really even texture.
Updated: July 23, 2018
What I thought would be a quick experiment turned into a long argument with the gesso surface. Mountains changed their look at least 4 times, and I am not touching them again. The future sunset sky is all mapped, and the gesso texture that gives me so many headaches is showing in its full glory right now.
Updated: September 29, 2018
Well… I am going to admit the defeat. This is not working. The texture of the surface is too weird for colored pencils, and I am tired of fighting it. It will not cooperate no matter what I do. Time to move on!